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Vase- by Ian Glenny
Rare piece of ceramic by Ian Glenny, well known South African potter.
Kerrod Antiques

 
 

Vase- by Ian Glenny
Rare piece of ceramic by Ian Glenny, well known South African potter.
Kerrod Antiques

 
 

Maurice van Essche (1906-77)
Lady with Beret,Oil on canvas. Signed
75 x 62 cm 
Jeremy Stephen Antiques

 
 

Hand coloured lithograph by George French Angus, 1849
From the 1849 publication,The Kaffirs Illustrated …
This is plate 13, Uitmuni, nephew of Chaka, the late Zulu King.
Quagga Art and Books

 
 

First Edition Casino Royale
The first James Bond novel by the then unknown Ian Fleming.
Quagga Art and Books

 
 

The Man with the Golden Gun
The exceedingly scarce first edition of The Man With the Golden Gun. Only 150 copies are thought to have been printed.
Quagga Art and Books

 
 

Sport on the Blue Nile, by Isaac C. Johnson
Sport on the Blue Nile, by Isaac C. Johnson. One of the scarcest big game titles. Inscribed by the author.
Quagga Art and Books

 
 

The Ship that Sailed to Mars, 1923
The Ship that Sailed to Mars, by William Timlin. Timlin’s superbly illustrated fantasy printed in 1923.
Quagga Art and Books

 
 

Fifty African Improvisations, by John Dronsfield, 1956
Fifty African Improvisations by John Dronsfield, published in 1956, one of eighty copies.
Quagga Art and Books

 
 

Jock of the Bushveld, by Sir Percy Fitzpatrick, 1907
Jock of the Bushveld, by Sir Percy Fitzpatrick, published in 1907 by Longmans Green & Co.
Quagga Art and Books

 
 

Totius Africae nova repraesentatio, by Johann Baptist Homann, 1715
Totius Africae nova repraesentatio, by Johann Baptist Homann, printed in 1715.
Quagga Art and Books

 
 

 

Mould-Blown 'Waterlily' Vase, by Emile Galle, circa 1900
A triple overlaid, acid-etched and carved mould-blown vase, of flattened oviform shape, the decoration in high relief of flowering blue and green waterlilies, with dark green leaves, on a ground colour of grey/blue. Signatures: Cameo 'Galle' on side of vessel. Height:26.5cm
Burr & Muir

 

 

Rare bronze & ivory figure ‘GAMINE’
A bronze and ivory figure of a young woman standing with her hands in the pockets of her culottes, sporting a typical closely cropped hairstyle of the 1920’s, and standing on a green and black onyx base. Height : 35 cms high
Burr & Muir

 
 

 

Dance Of The Harlequinade, by Alfred Gilbert, circa 1930
A silver and black cold painted figure of a harlequin, standing on one foot, in a dancing pose, wearing a full body catsuit, with triangles in silver and black. Her hands and head are ivory, and she balances on a cream and black triangular onyx base. Signatures: signed A.Gilbert and 'Made in France' to base. height: 55cm
Burr & Muir

 
 

 

 

Vase Antelopes, by Rene Lalique, first executed in 1925
A black enamelled clear glass vase, with bulbous shaped body, moulded in relief with ball-shapes, with stylised black enamelled antelopes leaping over each protruding disk. Signatures: engraved 'R Lalique' on base. Height;28cm.
Burr & Muir

 

 

 

 

Vase Bellecour, First executed in 1927 A clear and frosted cylindrical vase with a narrow neck, around which are perched four sparrows. Signatures: Mouled 'R Lalique' and engraved 'France' on base. Height:28,5cm. 
Burr & Muir

 
 

 

Charm Of The Orient, by A Godard, French circa 1925
A bronze and ivory girl standing on one foot, her left knee raised, and her right hand out in front, her left hand behind her. Signatures: Engraved GODARD on the top of the base. Height:50cm.
Burr & Muir

 
 

 

Girl with Casket & Boy with Apple,by Ferdinand Preiss circa 1920
Two carved ivory naked children, the boy holding an apple between his two hands, the girl clasping a enamelled box. Both stand on matching green onyx bases. Signatures: Engraved F Preiss on base rim of (boy), engraved F Preiss on the ivory plinth(girl). Height: 15cm(boy), 14,5cm(girl)
Burr & Muir

 
 

 

 

Cased Green Poissons, by Rene Lalique, first executed in 1921
An extremely rare multiple-cased green vase of spherical shape, with small aperture, the relief design of a school of carp, highlighted by a dark patina. Signatures: Moulded 'R Lalique' and engraved 'France' on base. Height:24cm.
Burr & Muir

 
 

 

Mould-Blown 'Waterlily' Vase, by Emile Galle, circa 1900
A triple overlaid, acid-etched and carved mould-blown vase, of flattened oviform shape, the decoration in high relief of flowering pink waterlilies and dark brown leaves, on a ground colour of rich orange yellow. Signatures: Cameo 'Galle' on side of vessel. Height: 26.7cm
Burr & Muir

 
 

Italian Lamp, Veranda Chair, Conrad Botes 'Suidoos' print 1992
Italian floor lamp, Vico Magistretti "Veranda' Chair for Cassina 1980s,Conrad Botes 'Suidoos' print 1992 
Kerrod Antiques

 

 

Wall Light, Scupture, Pottery, Zulu Knobkerries, Leather Chair, Work Table
Max Sauze wall light, Frieda Ollemans scupture 1970s , Rorke's Drift Pottery, Zulu Knobkerries, Zulu Milk Pail, Black Leather Chair by Vico Magistretti for Cassina 1980s, Danish 'Elevator' coffee / work table c.1960s . 
Kerrod Antiques

 
 

Zulu Spears, Conrad Botes Silkscreen print 4/10 1992
Zulu spears, walking sticks, Conrad Botes 'Suidoos' silkscreen print 4/10 1992,. 
Kerrod Antiques

 

 

 

A Knobkerrie - 1940-1941
A Knobkerrie inscribed "L Barends  11: 8: 40 Gil Gil   28: 5: 41  Mersa Matruh" (52cm) is by a south african soldier that was stationed at  Gil-Gil in Kenya in 1940 (possibly with the  5th SA Infantry), then to Mersa Matruh in egypt in 1941. 
Kerrod Antiques

 

 

A Cape Wit-els, Syringa and Yellowwood Armoire, circa 1780
Cape Wit-els, Syringa and Yellowwood Armoire, cicar 1780
Pier Rabe Antiques

 
 

Cape Stinkwood "Tolletjie" Armchair

A rare and unusual Cape Stinkwood "Tolletjie" armchair, 18th Century
Pier Rabe Antiques

 

 

A Cape Yellowwood, Stinkwood and inlaid cupboard
A Cape Yellowwood , Stinkwood and inlaid cupboard, made in Sweden circa 1800-1800
Pier Rabe Antiques

 

 

 

Neo Classical Armchair
Neo classical armchair
Pier Rabe Antiques

 

 

Dutch cupboard- 1700
Dutch cupboard dating back to circa 1700 veneered with kingwood and ebony. The size of this “kussenkas” is High 210 cm, wide 172 cm, deep 65 cm.
Kunsthandel H.W.C. Dullaert

 

 

Famille Rose Chinese Porcelain Plates
Set of six Qianlong (1736-1795) Famille Rose Chinese porcelain plates, diameter 22 cm.
Kunsthandel H.W.C. Dullaert

 

 

Dutch romantic 19th century winter landscape
Detail of a Dutch romantic 19th century winter landscape, oil on panel, 52 x 42 cm.
Kunsthandel H.W.C. Dullaert

 

 

Chinese horse
Chinese horse made out of jade, 19th century, wide 11cm.
Kunsthandel H.W.C. Dullaert

 

 

Chinese Kangxi Blue and White porcelain plate
Chinese Kangxi (1665-1722) blue and white porcelain plate marked with six character mark, mark and period, diameter 23,5 cm.
Kunsthandel H.W.C. Dullaert

 

 

Qianlong Blue and White porcelain plates
Set of four Qianlong (1735-1796), bleu and white porcelain plates, diameter 22 ,5 cm.
Kunsthandel H.W.C. Dullaert

 

 

CIRCA 1820 SCOTISH MAHOGANY LONGCASE CLOCK

by PETER KEIR OF DALKEITH(SCOTLAND). 36cm circular white japanned dial, subsidiary seconds
and calendar aperture, 4 pillar, 8 day duration. Pendulum and weights.
Height : 2.15m.
Dornoch Antique Clocks

 

 

CIRCA 1847-1885 BIEDERMEIER GRAND SONNERIE VIENNESE REGULATORl

by W. SCHONBERGER IN WIEN , Inlaid Rosewood. Two piece porcelain dial, pie crusted bezel. 3
weight, strikes grand sonnerie, 8 DAY DURATION, wooden pendulum rod, brass backed bob.
Length : 1.42cm : Width :37cm
Dornoch Antique Clocks

 

 

CIRCA 1814-1834 – LATERNDL-UHR VIENNESE REGULATOR

By FRANZ ZIKANEK IN WEIN A 9 light, rosewood strung in boxwood. Dead beat escapement with
ultra fine gears of 90 DAY ( 3 MONTH) DURATION. A white porcelain dial with a machined bezel and
subsidiary dials of a moon phase the day of the week and day of the month . A steel pendulum rod and
brass backed bob.
Length : 86cm : Width 20cm
Dornoch Antique Clocks

 

 

CIRCA 1814-1858 DACHLUR VIENESE REGULATOR

By JOSEF JESZNER (SEN.) IN WIEN.6 light mahogany, satin inlay. Silvered brass dial, engine turned
bezel, 1 weight time only, 8 day duration. Wooden pendulum rod, brass backed bob.
Length : 90cm – Width: 27cm
Dornoch Antique Clocks

 

 

CIRCA 1848 BIEDERMEIER VIENNESE REGULATOR

by JUVENTIUS ES FISA PESTEN(BUDAPEST).Veneered rosewood, gilt metal mounts and pediment.
Two piece porcelain dial, pie crusted bezel. 1 weight, time only 30 DAY DURATION.
Length : 1.25m ( 33cm Width)
Dornoch Antique Clocks

 

 

CIRCA 1820-1825 MINATURE LATERNDL-UHR VIENNESE REGULATOR

Unsigned, miniature 6 light cherry wood veneered with satin wood inlay. A transition between a full
Laterndl-uhr and a Dachluhr. Only found on a very small percentage of Viennese wall clocks.
White porcelain dial with ornate engine turned bezel. 1 weight time only, 8 day duration, metal
pendulum rod, brass backed bob.
Length: 86cm – Width: 20cm
Dornoch Antique Clocks

 

 

17th century portrait possibly of Simon van der Stel
It is a detail from a 17th century portrait attributed to the Amsterdam painter Lodewijk van der Helst (1642-1683). The sitter is said to be Simon van der Stel (1639-1712) depicted in front of Table Mountain leaning on a container with grapes and holding a bunch of grapes in his hand. The painting is executed in oil on canvas and measures 98 x 81 cm.
Kunsthandel H.W.C. Dullaert

 

 

French Console Clock from circa 1750

A French console clock from circa 1750 with a case adorned with fire guilt bronze ornaments and veneered with tortoise shell inlaid with brass in the so called Boulle technique. Andre Charles Boulle (1642-1732) was the cabinet maker of the French Sun King Louis the Fourteenth( 1642-1715). The piece is 84 cm high and in working order. It is signed by a famous Paris maker.

Kunsthandel H.W.C. Dullaert

 

 

Silver Sewing Box
A silver sewing box by William Comyns, London 1898. Presented with a velvet pin cushion cartouche on the lid; the interior is elaborately fitted with original lining, 3 ivory cotton bobbins, and a rotating spindle for six embroidery cottons. The presence of doves in the decoration would indicate that this was a love token, possibly a betrothal gift. The surface is finely wrought with well observed and beautifully executed repoussé foliate scroll work. The box would have pride of place in a Society drawing room.
Majestic Silver Trading

 

 

Chinese Porcelain Famille Rose Teapot

A chinese porcelain famille rose teapot from the reign of Emperor Chien Lung (1735-1796). The piece is finely decorated with Chinese people in a chinese landscape and with decorations in the rococo taste (circa 1765). The piece is 14 cm high. It was transported from China to the Netherlands by the VOC in the 18th century.
Kunsthandel H.W.C. Dullaert

 

 

Victorian walnut Bonheur du jour
A Victorian walnut Bonheur du jour, about 1880. With burr walnut veneering and satinwood inlay; overall serpentine front and sides and superstructure, which has brass gallery and six drawers inlaid with floral marquetry satinwood panels. The central drawer supported on four turned columns with carved splayed legs. Meaning “the pleasant hour of the day”, the Bonheur du jour was a small portable ladies writing desk, originating in 18th century France and enthusiastically adopted across the Channel by the early Victorian era
Majestic Silver Trading

 

 

Tortoiseshell inkwell
Magnificent silver and tortoiseshell inkwell
by William Comyns dated London 1905
The Old Corkscrew

 

 

Silver claret jug
Rare Victorian 'electro -type' silver claret jug from a piece designed by Francois Briot Circa 1550-1616. This example was made by Elkington & Co and is hallmarked London 1867 and an identical silver plated example can be found in the Victorian and Albert museum in London
The Old Corkscrew

 

 

Silver and tortoiseshell
dressing table tray

Silver mounted tortoiseshell dressing table tray hallmarked London 1911 by John Batson & Son
The Old Corkscrew

 

 

Ewer
Magnificent Art Nouveau silver ewer by Liberty & Co hallmarked Birmingham 1901.
The Old Corkscrew

 

 
George III silver candlesticks
A rare pair of George III silver traveling chamber candlesticks by Joseph Guest dated London 1812. The sconces once unscrewed fit into the two halves which are then screwed together to form a circular box.
The Old Corkscrew