Johannesburg Pre-Show Exhibitors Showcase 2021

RIAAN BOLT ANTIQUES

Ezrom Legae (SA 1938 – 1999) “Lying Nude” Bronze on a Wooden Base Signed with the Artist’s Initials and Numbered II/X,modelled c. 1964/65 34 x 19 x 10,5cm. Provenance: The Egon Guenther Gallery, Johannesburg, sold 16.02.1970. Note:According to the gallery records, only 3 of the planned edition of 10were cast and sold.
Ezrom Legae (SA 1938 – 1999)
“Lying Nude” Bronze on a Wooden Base
Signed with the Artist’s Initials and
Numbered II/X,modelled c. 1964/65
34 x 19 x 10,5cm.
Provenance: The Egon Guenther Gallery,
Johannesburg, sold 16.02.1970.
Note:According to the gallery records,
only 3 of the planned edition of 10
were cast and sold.
A fine Cape stinkwood and amboynalow cupboard, Cape Town, c. 1780.A combination of indigenous stinkwood and exotic timbers - in this case amboyna - is often found in patrician furniture, produced in Cape Town towards the last quarter of the 18th century.
A fine Cape stinkwood and amboyna
low cupboard, Cape Town, c. 1780.
A combination of indigenous stinkwood and exotic
timbers - in this case amboyna - is often found
in patrician furniture, produced in Cape Town
towards the last quarter of the 18th century.
Christo Coetzee (SA 1929 - 2000),"The Bridegroom", oil on board, signedand dated '51 .This rare early portrait was exhibited at Coetzees first post-graduate exhibition at ID Bookshop, Cape Town in 1951.
Christo Coetzee (SA 1929 - 2000),
"The Bridegroom", oil on board, signed
and dated '51 .This rare early portrait was
exhibited at Coetzees first post-graduate
exhibition at ID Bookshop, Cape Town
in 1951.
An Important Transvaal Hardwood and Bone-Inlaid Corner Chair, Soutpansberg District, c. 1905 (65 x 65 x 76,5cm).
An Important Transvaal Hardwood and
Bone-Inlaid Corner Chair, Soutpansberg
District, c. 1905 (65 x 65 x 76,5cm).
Petrus Jeremias Bezuidenhout (1838 - 1922) and Petronella Dorothea (Vermaak) Bezuidenhout (1838 - 1909).
Petrus Jeremias Bezuidenhout (1838 - 1922)
and Petronella Dorothea (Vermaak)
Bezuidenhout (1838 - 1909).
The provenance of the chair is preserved for posterity by an unusual amount of detailed information inlaid into its back.
The provenance of the chair is preserved
for posterity by an unusual amount
of detailed information inlaid into its back.

This charming corner chair, probably made of African Blackwood (Dalbergia melanoxylon), was made in 1905 to commemorate the marriage in 1858 of Petrus Jeremias Bezuidenhout (1838 - 1922) and Petronella Dorothea (Vermaak) Bezuidenhout (1838 - 1909).  The provenance of the chair is preserved for posterity by an unusual amount of detailed information inlaid into its back, as well as a rare period image of the original owners together with the chair.

A fine Cape Baroque Teak Peg-Top Tea Table, mid 18th c. (95,5 x 63 x 70cm).
A fine Cape Baroque Teak Peg-Top Tea Table, mid 18th c. (95,5 x 63 x 70cm).

THE OLD CORKSCREW

Bacchanalian pattern silver gilt nutcrackers and grape shears 1881.
Bacchanalian pattern silver gilt nutcrackers and grape shears 1881.
Bacchanalian pattern silver gilt pair of nutcrackers 1882.
Bacchanalian pattern silver gilt pair of nutcrackers 1882.

Originally designed by Thomas Stothard for Rundell Bridge & Rundell, there are pieces in the Royal Collection dating from 1812.  See pages 127 & 128 of ‘Silver Flatware- English, Irish and Scottish 1660-1980’ by Ian Pickford where this rare Regency pattern is discussed and illustrated.  The majority of this pattern are gilded and is still in production today. It is very difficult to find any early pieces of this pattern and complete early dessert services are extremely rare.

Victorian silver presentation trophy cup and cover marked for Birmingham 1843, from the Royal Agricultural Society of England by Robinson, Edkins & Aston and weighing 2,152 Kg.
Victorian silver presentation trophy cup and cover marked
for Birmingham 1843, from the Royal Agricultural Society
of England by Robinson, Edkins & Aston
and weighing 2,152 Kg.
Victorian silver presentation trophy cup and cover marked for Birmingham 1843, from the Royal Agricultural Society of England by Robinson, Edkins & Aston and weighing 2,152 Kg.
Victorian silver presentation trophy cup and cover marked
for Birmingham 1843, from the Royal Agricultural Society of England
by Robinson, Edkins & Aston and weighing 2,152 Kg.
Late 19th century Indian silver teacup and saucer by Hamilton & Co with presentation inscription dated January 1st 1892.
Late 19th century Indian silver teacup and saucer by Hamilton & Co
with presentation inscription dated January 1st 1892.
Late 19th century Indian silver teacup and saucer by Hamilton & Co with presentation inscription dated January 1st 1892.
Late 19th century Indian silver teacup and saucer by Hamilton & Co
with presentation inscription dated January 1st 1892.
Late 19th century Indian silver dressing table box markedS.T. & Sons T95 (Currently this is an unknown maker who produced pieces of exceptional quality)
Late 19th century Indian silver dressing table box marked
S.T. & Sons T95 (Currently this is an unknown maker
who produced pieces of exceptional quality)
Late 19th century Indian silver dressing table box markedS.T. & Sons T95 (Currently this is an unknown maker who produced pieces of exceptional quality)
Late 19th century Indian silver dressing table box marked
S.T. & Sons T95 (Currently this is an unknown maker
who produced pieces of exceptional quality)
Magnificent George IV silver soup tureen marked for London 1826 by Rebecca Emes & Edward Barnard I.
Magnificent George IV silver soup tureen marked
for London 1826 by Rebecca Emes & Edward Barnard I.
Magnificent George IV silver soup tureen marked for London 1826 by Rebecca Emes & Edward Barnard I.
Magnificent George IV silver soup tureen marked
for London 1826 by Rebecca Emes & Edward Barnard I.
Victorian silver mounted decanter marked for London 1885 in the Japanese taste with the neck in the form of a bamboo stem with applied leaves by Edward H Stockwell.
Victorian silver mounted decanter marked for London 1885
in the Japanese taste with the neck in the form of a bamboo stem
with applied leaves by Edward H Stockwell.
Victorian silver mounted decanter marked for London 1885 in the Japanese taste with the neck in the form of a bamboo stem with applied leaves by Edward H Stockwell.
Victorian silver mounted decanter marked for London 1885
in the Japanese taste with the neck in the form of a bamboo stem
with applied leaves by Edward H Stockwell.
A George III silver tray by Nathaniel Smith & Co.made in Sheffield 1807. Provenance: Christies London, March 26, 1980, lot 69.Weight: 2,441 Kg.
A George III silver tray by Nathaniel Smith & Co.
made in Sheffield 1807. Provenance:
Christies London, March 26, 1980, lot 69.
Weight: 2,441 Kg.
A George III silver tray by Nathaniel Smith & Co. made in Sheffield 1807. Provenance: Christies London, March 26, 1980, lot 69.Weight: 2,441 Kg.
A George III silver tray by
Nathaniel Smith & Co. made in
Sheffield 1807. Provenance:
Christies London, March 26, 1980,
lot 69.Weight: 2,441 Kg.
A George III silver tray by Nathaniel Smith & Co.made in Sheffield 1807. Provenance: Christies London, March 26, 1980, lot 69.Weight: 2,441 Kg.
A George III silver tray by Nathaniel Smith & Co.
made in Sheffield 1807. Provenance:
Christies London, March 26, 1980, lot 69.
Weight: 2,441 Kg.

Engraved with the coat of arms for General William Loftus, Lieutenant Governor of the Tower of London to the front and the back with a presentation inscription: “A small tribute of respect affection and gratitude from Iohn Henry Elrington,Major of the Tower, To his friend and relative General Loftus. The lieutenant Governor of the Tower of London Sep.ͬ 1817.

William Loftus (1752-1831) began his military career as a cornet in the 9th dragoon Guards in 1770. He served in the American War including the Bunker’s Hill conflict, the landing of New York and the attack on Fort Washington. In 1794 he raised and was given the rank of
colonel of the 24th Light Dragoons and two years later he was made major-general and appointed to the English Staff. In 1797 he was appointed to the Irish Staff and took command at Cork where in 1798 he was successful at Vinegar Hill. Subsequently he was appointed Lieutenant-General in the army, governor of Dumbarton Castle and Lieutenant of the Tower of London. In 1813 he was appointed full General and in 1821 the colonelcy of the 2nd Dragoon Guards. On his death in 1831 he was one of the oldest officers in the service.

John Henry Elrington (1771-1857) was a Major at the Tower of London. The Tower Major was a staff officer who resided at the Tower and was tasked with its administration. He married Sarah Reed on the first of October 1806 and this tray made in 1807 could have been commissioned for this. He was laid to rest in the family vault in the Chapel of St. Peter ad Vincula,Tower of London and the family memorial plaques are on the back wall.

Literature:
Christie’s Pictorial History of English and American silver by Michael Clayton page 236 where it is noted “An unusually large piece to have been produced in Sheffield”

JEREMY STEPHENS ANTIQUES

Alvar Aalto (Finland 1898-1976)<br>
Armchairs model no. 34/402, 1933/35
<br>Produced by O.Y. Huonekalu-ja <br>Rakennustyotehdas A.B., Finland.<br>
Bent laminated birch plywood and original cane. <br>Stamped “Aalto Design Made in Finland”.<br>
60,5 x 70,5 x 73 cm.
(A rare early & original <br>edition from the first two years of production)
Alvar Aalto (Finland 1898-1976)
Armchairs model no. 34/402, 1933/35
Produced by O.Y. Huonekalu-ja
Rakennustyotehdas A.B., Finland.
Bent laminated birch plywood and original cane.
Stamped “Aalto Design Made in Finland”.
60,5 x 70,5 x 73 cm. (A rare early & original
edition from the first two years of production)
Hans Wegner (DK 1914-2007) CH22 lounge chair, design 1950. Carl Hansen & son, Denmark. Original painted oak & paper cord.
Hans Wegner (DK 1914-2007)
CH22 lounge chair, design 1950.
Carl Hansen & son, Denmark.
Original painted oak & paper cord.
Knud A. Risager Hansen, Dk. Model 31 armchair, design 1960. Slagelse Mobelvaerk, Denmark. Rare brown-oak frame, reupholstered in leather. Note : Brown oak results from fungal attack in the growing tree, causing the heartwood to turn a rich deep brown. It is rare & highly valued for furniture.
Knud A. Risager Hansen, Dk.
Model 31 armchair, design 1960.
Slagelse Mobelvaerk, Denmark. Rare
brown-oak frame, reupholstered in leather.
Note : Brown oak results from fungal attack in the
growing tree, causing the heartwood to turn
a rich deep brown. It is rare & highly valued
for furniture.
Finn Juhl (Denmark 1912-1989). Easy chair SW 96, designed 1956. Cabinetmaker Soren Willadsen Mobelfabrik, Denmark. Oak frame with teak arms and original woven cane seat & back. New leather cushions. 73 x 71,5 x 76,5 cm (w x d x h)
Finn Juhl (Denmark 1912-1989).
Easy chair SW 96, designed 1956.
Cabinetmaker Soren Willadsen Mobelfabrik,
Denmark. Oak frame with teak arms and
original woven cane seat & back. New leather
cushions. 73 x 71,5 x 76,5 cm (w x d x h)
Kurt Ostervig (Dk 1912-86). Model 53 sofa & lounge chair, 1955. Rolschau Mobler, Denmark. Teak frame with original fabric. Reference: Design Museum Danmark, furniture index, ref. no. RP17545.
Kurt Ostervig (Dk 1912-86).
Model 53 sofa & lounge chair, 1955.
Rolschau Mobler, Denmark. Teak frame
with original fabric. Reference: Design Museum
Danmark, furniture index, ref. no. RP17545.
Poul Kjaerholm (Danish 1929-80). PK24 chaise longue, c.1970. E. Kold Christensen, Denmark. Designed in 1965 with a polished stainless steel frame, cane seat & leather cushion. 87 x 155 x 67 cm.
Poul Kjaerholm (Danish 1929-80).
PK24 chaise longue, c.1970.
E. Kold Christensen, Denmark. Designed in 1965
with a polished stainless steel frame, cane seat
& leather cushion. 87 x 155 x 67 cm.
Ole Gjerlov-Knudsen (1930-) & <br>Torben Lind (1928-), Denmark
Moduline easy <br>chairs, 1962
France & son, Denmark. <br>Company coin label. 58 x 72 x 70 cm.<br>Reupholstered.
Reference : Design Museum <br>Danmark, furniture index RP05015.
Ole Gjerlov-Knudsen (1930-) &
Torben Lind (1928-), Denmark Moduline easy
chairs, 1962 France & son, Denmark.
Company coin label. 58 x 72 x 70 cm.
Reupholstered. Reference : Design Museum
Danmark, furniture index RP05015.
Poul Hundevad (1917-2011). Rosewood low sideboard, 1960 Hundevad & Co, Vamdrup, Denmark. Brazilian rosewood bookmatched veneer exterior with maple interior enclosing 4 drawers & 2 shelves. Danish quality & maker’s mark. 138,5 x 43,5 x 76,5 cm.
Poul Hundevad (1917-2011).
Rosewood low sideboard, 1960 Hundevad & Co,
Vamdrup, Denmark. Brazilian rosewood
bookmatched veneer exterior with maple interior
enclosing 4 drawers & 2 shelves. Danish quality
& maker’s mark. 138,5 x 43,5 x 76,5 cm.
Borge Mogensen (1914-1972). Oak tall chest of drawers, 1951. Soborg mobelfabrik, Denmark.Four shallow drawers and three deep drawers. Stamped “Made in Denmark” 100 x 48 x 136 cm. Reference : Design Museum Danmark, furniture index, ref. no. RP14084.
Borge Mogensen (1914-1972).
Oak tall chest of drawers, 1951.
Soborg mobelfabrik, Denmark.Four shallow
drawers and three deep drawers. Stamped
“Made in Denmark” 100 x 48 x 136 cm.
Reference : Design Museum Danmark,
furniture index, ref. no. RP14084.
William Pye (British 1938-). Maypole, 2007 Patinated bronze & stainless steel. Edition no. 2/6. 73 x 43 x 38 cm.
William Pye (British 1938-).
Maypole, 2007 Patinated bronze & stainless steel.
Edition no. 2/6. 73 x 43 x 38 cm.
William Pye (British 1938-)
Maypole, 2007<br>
Patinated bronze & stainless steel. <br>Edition no. 2/6. 73 x 43 x 38 cm.
William Pye (British 1938-) Maypole, 2007
Patinated bronze & stainless steel.
Edition no. 2/6. 73 x 43 x 38 cm.
Hans-Peter Krafft, Germany
Black Sheep chair <br>sculpture, c.1982
Designed for Meier furniture <br>in Black-forest pine, wool & leather, with plastic <br>eyes. 30 x 80 x 85(h) cm.
Hans-Peter Krafft, Germany Black Sheep chair
sculpture, c.1982 Designed for Meier furniture
in Black-forest pine, wool & leather, with plastic
eyes. 30 x 80 x 85(h) cm.
Vittorio Zecchin (1878-1947)<br>
Soffiato glass vase, 1925/26.
MVM Cappellin <br>glassworks, Murano.
Amber costolato glass body <br>with applied green glass lip and iridized surface, <br>acid stamp. MVM Cappellin Murano. <br>Height : 25 cm.
Vittorio Zecchin (1878-1947)
Soffiato glass vase, 1925/26. MVM Cappellin
glassworks, Murano. Amber costolato glass body
with applied green glass lip and iridized surface,
acid stamp. MVM Cappellin Murano.
Height : 25 cm.
Anzolo Fuga, (Italy 1914-1998)<br>
Tutti-Frutti glass bowl, 1955/62.<br>
IVR Mazzega/A.VE.M., Murano, Italy.<br>
Red glass with broken silver foil & zanfarico <br>canes in freeform shape.
50 x 35 x 15 cm.
Anzolo Fuga, (Italy 1914-1998)
Tutti-Frutti glass bowl, 1955/62.
IVR Mazzega/A.VE.M., Murano, Italy.
Red glass with broken silver foil & zanfarico
canes in freeform shape. 50 x 35 x 15 cm.
Mari Simmulson (1911-2000)<br>
Nigeria model 4292 bowl, 1957/60.<br>
Upsala-Ekeby pottery, Sweden.
Incised <br>decoration, with impressed company & artist <br>monogram.
Length: 40,5 cm.
Mari Simmulson (1911-2000)
Nigeria model 4292 bowl, 1957/60.
Upsala-Ekeby pottery, Sweden. Incised
decoration, with impressed company & artist
monogram. Length: 40,5 cm.
Lucie Rie (Austria/UK 1902-95). Coffee cups & saucers, c.1957. Studio Albion Mews, London. Stoneware with white tin glaze and manganese dioxide on rim.Impressed L.R. monogram. H : 7,5 cm D : 12,5 cm.
Lucie Rie (Austria/UK 1902-95).
Coffee cups & saucers, c.1957.
Studio Albion Mews, London. Stoneware
with white tin glaze and manganese dioxide
on rim.Impressed L.R. monogram.
H : 7,5 cm D : 12,5 cm.
Rene Lalique (France 1860-1945). Danaides opalescent glass vase, 1926. Opalescent glass with relief & intaglio moulded design, and blue staining. Stencil signature. Height : 18,5 cm. (Reference: Marcilhac no. 972).
Rene Lalique (France 1860-1945).
Danaides opalescent glass vase, 1926.
Opalescent glass with relief & intaglio
moulded design, and blue staining.
Stencil signature. Height : 18,5 cm.
(Reference: Marcilhac no. 972).
Rene Lalique (France 1860-1945). Danaides opalescent glass vase, 1926. Opalescent glass with relief & intaglio moulded design, and blue staining. Stencil signature. Height : 18,5 cm. (Reference: Marcilhac no. 972).
Rene Lalique (France 1860-1945).
Danaides opalescent glass vase, 1926.
Opalescent glass with relief & intaglio
moulded design, and blue staining.
Stencil signature. Height : 18,5 cm.
(Reference: Marcilhac no. 972).
Rene Lalique (France 1860-1945). Pendulette 8 jours Naiades, c.1920s. Designed in 1926, this example in clear & frosted glass. Engraved signature in script R.Lalique France. 11,3 x 11,3 cm.
Rene Lalique (France 1860-1945).
Pendulette 8 jours Naiades, c.1920s.
Designed in 1926, this example in clear
& frosted glass. Engraved signature in script
R.Lalique France. 11,3 x 11,3 cm.
Charles Emile Janchery (1873-1937). Tete Byzantine mirror, c.1900. Cast metal mirror frame, with bronze finish. Original mirror available. Signed 44 x 75 cm. Reference : Art Nouveau Sculpture, Alastair Duncan, illustrated on page 25
Charles Emile Janchery (1873-1937).
Tete Byzantine mirror, c.1900.
Cast metal mirror frame, with bronze finish.
Original mirror available. Signed 44 x 75 cm.
Reference : Art Nouveau Sculpture,
Alastair Duncan, illustrated on page 25.
Stefan Dakon (Austria 1904-97). Head of a Lady, 1920s. Original patinated bronze with zebrano wood base.Impressed Dakon, Austria & foundry mark. H: 35 cm.
Stefan Dakon (Austria 1904-97).
Head of a Lady, 1920s. Original patinated bronze
with zebrano wood base.Impressed Dakon, Austria
& foundry mark. H: 35 cm.
Josef Lorenzl (Austria 1892-1950). Art Deco Dancer, c.1925. Green-patinated bronze on onyx base. Impressed signature Lorenzl and Vienna foundry mark. H: 47,5 cm.
Josef Lorenzl (Austria 1892-1950).
Art Deco Dancer, c.1925.
Green-patinated bronze on onyx base.
Impressed signature Lorenzl and Vienna foundry
mark. H: 47,5 cm.
Dino Rosin calcedony glass sculpture <br>Babele Quadrata Murano 1990s.
Dino Rosin calcedony glass sculpture
Babele Quadrata Murano 1990s.
Arthur Delaney (1927-87)
<br>Manchester Street Scene, <br>c.1960s
Oil on board
<br>Signed bottom right
45 x 15 cm.
Arthur Delaney (1927-87)
Manchester Street Scene,
c.1960s Oil on board
Signed bottom right 45 x 15 cm.
Edmond Etling, Paris c.1932
Nu aux Longs Cheveaux <br>(model 86).
Lucille Sevin design in opalescent glass.<br>
Produced by Sevres glassworks for Etling. <br>Moulded “Etling France 86”
Height : 23 cm.
Edmond Etling, Paris c.1932 Nu aux Longs Cheveaux
(model 86). Lucille Sevin design in opalescent glass.
Produced by Sevres glassworks for Etling.
Moulded “Etling France 86” Height : 23 cm.
Norman Catherine (SA 1949-)<br>
Red Snapper
Oil on wood<br>
Signed
Height (incl. base) : 42 cm.
Norman Catherine (SA 1949-)
Red Snapper Oil on wood
Signed Height (incl. base) : 42 cm.
Luigi Massoni (Italy 1930-2013).<br>
Guzzini (art 4002/8) Table Lamp,<br> 1968 design for Harvey Guzzini <br>DH, Italy.
White acrylic shade with <br>chromed steel base. <br>W : 41 cm H : 64 cm.
Luigi Massoni (Italy 1930-2013).
Guzzini (art 4002/8) Table Lamp,
1968 design for Harvey Guzzini
DH, Italy. White acrylic shade with
chromed steel base.
W : 41 cm H : 64 cm.
Dino Rosin calcedony glass sculpture Birth of the Universe <br>Murano 1990s.
Dino Rosin calcedony glass sculpture Birth of the Universe
Murano 1990s.
Murano glass Sculpture, <br>Homage to Picasso, 1998.
Murano glass Sculpture,
Homage to Picasso, 1998.
Adriano Dalla Valentina (1945-2019)<br>
Patchwork glass vase, Murano, c.1990s.<br>
Black & clear tesserae in alternating patter <br>with aventurine ribbons.
Signed on base. Height: 28 cm.
Adriano Dalla Valentina (1945-2019)
Patchwork glass vase, Murano, c.1990s.
Black & clear tesserae in alternating patter
with aventurine ribbons. Signed on base. Height: 28 cm.
Page 4 of 4
Miguel Berrocal (Spain 1933-2006)<br>
Manolete 1975/77
Polished bronze puzzle (26 pc).<br>
EdiSon no. 3345/10 000
Artcurial lost-wax casting, <br>Paris
Signed & numbered (with booklet).<br>
12,6 x 7,6 x 6,4 cm.
Page 4 of 4 Miguel Berrocal (Spain 1933-2006)
Manolete 1975/77 Polished bronze puzzle (26 pc).
EdiSon no. 3345/10 000 Artcurial lost-wax casting,
Paris Signed & numbered (with booklet).
12,6 x 7,6 x 6,4 cm.

MOONSTRUCK EXPERIENCE

BeauTful Meiji period (1868-1912) <br>Japanese lacquered inlayed screen.
BeauTful Meiji period (1868-1912)
Japanese lacquered inlayed screen.
Fabulous pair of bronze “Italian”jardinieres<br> on stands adorned with gilded lions heads<br>- circa 1870-1910.
Fabulous pair of bronze “Italian”jardinieres
on stands adorned with gilded lions heads
- circa 1870-1910.
Fabulous pair of bronze “Italian”jardinieres<br> on stands adorned with gilded lions heads<br>- circa 1870-1910.
Fabulous pair of bronze “Italian”jardinieres
on stands adorned with gilded lions heads
- circa 1870-1910.
Vintage Roamer display case.
Vintage Roamer display case.
George III period Satinwood inlayed Gentleman’s grooming table, <br>circa 1790.
George III period Satinwood inlayed Gentleman’s grooming table,
circa 1790.
Fabulous collection of ornate gilded <br>mirrors will be on display…
Fabulous collection of ornate gilded
mirrors will be on display…

EVELYN SBOROS JEWELLERS

18 ct gold emerald and diamond ring.
18 ct gold emerald and diamond ring.
Platinum and diamond Art Deco bracelet.
Platinum and diamond Art Deco bracelet.
18 ct gold baguette diamond earrings.
18 ct gold baguette diamond earrings.
18 ct gold ruby and diamond brooch.
18 ct gold ruby and diamond brooch.

TYRONE SARKIS ANTIQUES

18K gold diamond ring set with graduating <br>round brilliant cut diamonds totalling 3.31cts.
18K gold diamond ring set with graduating
round brilliant cut diamonds totalling 3.31cts.
18K gold diamond ring set with graduating <br>round brilliant cut diamonds totalling 3.31cts.
18K gold diamond ring set with graduating
round brilliant cut diamonds totalling 3.31cts.
18K white gold ring set with a 9.63ct Kunzite, <br>with 0.95cts of round brilliant cut diamonds.
18K white gold ring set with a 9.63ct Kunzite,
with 0.95cts of round brilliant cut diamonds.
18K white gold ring set with a 9.63ct Kunzite, <br>with 0.95cts of round brilliant cut diamonds.
18K white gold ring set with a 9.63ct Kunzite,
with 0.95cts of round brilliant cut diamonds.
A pair of silver wine coasters by Robert Garrard II. London, 1856.
A pair of silver wine coasters by
Robert Garrard II. London, 1856.
A pair of 18K gold drop Apricot pearl, <br>diamond, and Ruby earrings.
A pair of 18K gold drop Apricot pearl,
diamond, and Ruby earrings.
A very early George II silver spirit kettle, with a very rare spirit kettle stand by Lewis Panton I. London, 1735 & 1736. Weight: 3085 grams.
A very early George II silver spirit kettle,
with a very rare spirit kettle stand
by Lewis Panton I. London, 1735 & 1736.
Weight: 3085 grams.
A magnificent Victorian silver cruet frame by Robert Garrard II - silversmith to the King and Queen. London, 1853, with 4 crystal decanters. Weight: 1910 grams.
A magnificent Victorian silver cruet frame
by Robert Garrard II - silversmith to
the King and Queen. London, 1853,
with 4 crystal decanters.
Weight: 1910 grams.

BANCROFT ANTIQUES

Antique 9ct Gold and Citrine Seal Pendant
Antique 9ct Gold and Citrine Seal Pendant.
Georg Jensen Silver Brooch #335 by Nanna and Jorgen Ditze
Georg Jensen Silver Brooch #335
by Nanna and Jorgen Ditze.
18ct White Gold, Sapphire, Diamond <br>and Pearl Choker Necklace.
18ct White Gold, Sapphire, Diamond
and Pearl Choker Necklace.
Antique 9ct Gold and Silver-Fronted, <br>Diamond Bracelet.
Antique 9ct Gold and Silver-Fronted,
Diamond Bracelet.
Antique 20ct Gold, Emerald and Ruby Hinged Bangle Bracelet
Antique 20ct Gold, Emerald and Ruby
Hinged Bangle Bracelet.
Vintage 18ct Yellow Gold, Platinum and Diamond Ring
Vintage 18ct Yellow Gold, Platinum and
Diamond Ring.

BURR & MUIR

‘LAKE COMO’ VASE By Emile Galle Circa 1900. A monumental overlaid, acid-etched and carved cameo glass vase, the decoration of a scene of Lake Como in Switzerland and Italy, with a view of the mountains beyond the lake.
‘LAKE COMO’ VASE By Emile Galle
Circa 1900. A monumental overlaid, acid-etched
and carved cameo glass vase, the decoration of
a scene of Lake Como in Switzerland and
Italy, with a view of the mountains beyond
the lake.
‘LAKE COMO’ VASE By Emile Galle Circa 1900. A peacock standing on a porch balustrade.
‘LAKE COMO’ VASE By Emile Galle
Circa 1900. A peacock standing on a
porch balustrade.
Fire-polished ’IRIS’ VASE
By Emile Galle. Circa 1900. The iris variety is Yellow Flag or Yellow Iris, Iris Pseudacorus, which is widespread along streams throughout Europe and western Asia.   The detail on the vase is wheel carved to produce a high-quality finish.
Fire-polished ’IRIS’ VASE By Emile Galle. Circa 1900. The iris variety is Yellow Flag or Yellow Iris, Iris Pseudacorus, which is widespread along streams throughout Europe and western Asia. The detail on the vase is wheel carved to produce a high-quality finish.
‘STARFISH’ By Demetre Chiparus, Circa 1920.<br>
A magnificent bronze and ivory dancer wearing<br> a cat-suit, her hands are crossed and held <br>together above
her head, standing on tiptoe, <br>with her right foot just ahead of her left. <br>Her costume is covered in starfish
motifs. <br>Her hands and face are ivory.
The brown onyx <br>base is inlaid with black portoro marble <br>and green onyx squares across the lower section.
‘STARFISH’ By Demetre Chiparus, Circa 1920.
A magnificent bronze and ivory dancer wearing
a cat-suit, her hands are crossed and held
together above her head, standing on tiptoe,
with her right foot just ahead of her left.
Her costume is covered in starfish motifs.
Her hands and face are ivory. The brown onyx
base is inlaid with black portoro marble
and green onyx squares across the lower section.
'Bronze' by Pierre le Faguays, Bowl by Charles Schneider, Circa 1925. A beautifully stylised bronze figure of a nude female figure, holding a glass bowl above her head. The black patinated figure stands on a tall stepped verdite base, her arms crossed above her head to support the internally decorated orange-edged glass bowl.
'Bronze' by Pierre le Faguays, Bowl by Charles Schneider, Circa 1925.
A beautifully stylised bronze figure of a nude female figure, holding a glass bowl
above her head. The black patinated figure stands on a tall stepped verdite base,
her arms crossed above her head to support the internally
decorated orange-edged glass bowl.
‘TENDER PROMISES’ By Demetre Chiparus, Circa 1920. A bronze <br>and ivory group of a pierrot and pierrette, both wearing cloche caps <br>and ruffled collars, the female figure with knee-length full-skirted dress <br>with an ornate belt, the male figure with a decorated
loose shirt, <br>and tights with a diamond-shaped design. They both have ivory hands <br>and faces. The pierrot
appears to be whispering into the pierrette’s ear. <br>The very complex brown onyx base has diamond-shaped
attachments <br>in multi-coloured onyx. Chiparus designed superb bases for all <br>his major works.
‘TENDER PROMISES’ By Demetre Chiparus, Circa 1920. A bronze
and ivory group of a pierrot and pierrette, both wearing cloche caps
and ruffled collars, the female figure with knee-length full-skirted dress
with an ornate belt, the male figure with a decorated loose shirt,
and tights with a diamond-shaped design. They both have ivory hands
and faces. The pierrot appears to be whispering into the pierrette’s ear.
The very complex brown onyx base has diamond-shaped attachments
in multi-coloured onyx. Chiparus designed superb bases for all
his major works.
Corner Vitrine ‘Aux Nénuphars’ By Louis Majorelle (1859-1926), Circa 1900.
Corner Vitrine ‘Aux Nénuphars’
By Louis Majorelle
(1859-1926), Circa 1900.

PAYS DES RÊVES LIFESTYLE

A beautiful 2nd Empire Napoleon III ebonised <br>cabinet in mahogany with madrone burl wood<br> inlay set with a blue Wedgwood jasperware<br> insert and ormolu mounts with original castors.<br>
Circa 1850.
A beautiful 2nd Empire Napoleon III ebonised
cabinet in mahogany with madrone burl wood
inlay set with a blue Wedgwood jasperware
insert and ormolu mounts with original castors.
Circa 1850.
Magnificent French Empire display <br>cabinet with brass inlay. <br>Maker: Godefroy Dester. Circa 1805.
Magnificent French Empire display
cabinet with brass inlay.
Maker: Godefroy Dester. Circa 1805.
A beautifully handcrafted George III hallmarked <br>silver-gold gilt wine cooler with lid.<br>
London Circa 1811.
Wt 3067g <br>
Dimensions - 33cm (h) x 26cm (d)<br>
Maker: Benjamin Smith II and James Smith II <br>for Rundell Bridge and Rundell (Principal Royal <br>Goldsmiths & Jewellers).
A beautifully handcrafted George III hallmarked
silver-gold gilt wine cooler with lid.
London Circa 1811. Wt 3067g
Dimensions - 33cm (h) x 26cm (d)
Maker: Benjamin Smith II and James Smith II
for Rundell Bridge and Rundell (Principal Royal
Goldsmiths & Jewellers).
Stunning Mikimoto Pearl cluster ring<br> in 18k yellow gold.
Stunning Mikimoto Pearl cluster ring
in 18k yellow gold.
Lovely pair of 14k yellow rose gold<br> earrings with diamonds.
Lovely pair of 14k yellow rose gold
earrings with diamonds.
Lovely pair of vintage Ruby and diamond<br> earrings.
Lovely pair of vintage Ruby and diamond
earrings.
Pair of beautiful vintage Charles Greig <br>18k tanzanite and diamonds earrings.
Pair of beautiful vintage Charles Greig
18k tanzanite and diamonds earrings.
Vintage 18k gold braided mesh chocker.<br> The piece is in excellent condition <br>and beautifully made
Designer: Henkel <br>and Grossé (jewellers for Christian Dior, <br>Lanvin and Schiaparelli in Paris and did work <br>for Harrods in London and Sale in <br>New York)
Circa: 1964.
Pforzheim, <br>Germany 
L 40cm, wt 56g.
Vintage 18k gold braided mesh chocker.
The piece is in excellent condition
and beautifully made Designer: Henkel
and Grossé (jewellers for Christian Dior,
Lanvin and Schiaparelli in Paris and did work
for Harrods in London and Sale in
New York) Circa: 1964. Pforzheim,
Germany L 40cm, wt 56g.
Beautiful vintage Cartier 9k yellow gold<br> travel frame set, clasp set with rubies.
Beautiful vintage Cartier 9k yellow gold
travel frame set, clasp set with rubies.
Beautiful vintage 18k yellow gold diamond and turquoise brooch<br> and an Edwardian turquoise, seed pearl and ruby brooch <br>in the form of a frog set in 14k yellow gold.
Beautiful vintage 18k yellow gold diamond and turquoise brooch
and an Edwardian turquoise, seed pearl and ruby brooch
in the form of a frog set in 14k yellow gold.
Pair of Art Deco sterling silver and guilloche enamel gilded candlesticks<br> by well known and reputable gold and silversmith David Anderson Norway.
<br>Circa 1930-1939
Dimensions - 2”(h) x 2“ (w).
Pair of Art Deco sterling silver and guilloche enamel gilded candlesticks
by well known and reputable gold and silversmith David Anderson Norway.
Circa 1930-1939 Dimensions - 2”(h) x 2“ (w).


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