QUICK LINKS TO ALL OUR SNEAK PEEK DEALERS
RIAAN BOLT ANTIQUES

“Lying Nude” Bronze on a Wooden Base
Signed with the Artist’s Initials and
Numbered II/X,modelled c. 1964/65
34 x 19 x 10,5cm.
Provenance: The Egon Guenther Gallery,
Johannesburg, sold 16.02.1970.
Note:According to the gallery records,
only 3 of the planned edition of 10
were cast and sold.

low cupboard, Cape Town, c. 1780.
A combination of indigenous stinkwood and exotic
timbers - in this case amboyna - is often found
in patrician furniture, produced in Cape Town
towards the last quarter of the 18th century.

"The Bridegroom", oil on board, signed
and dated '51 .This rare early portrait was
exhibited at Coetzees first post-graduate
exhibition at ID Bookshop, Cape Town
in 1951.

Bone-Inlaid Corner Chair, Soutpansberg
District, c. 1905 (65 x 65 x 76,5cm).

and Petronella Dorothea (Vermaak)
Bezuidenhout (1838 - 1909).

for posterity by an unusual amount
of detailed information inlaid into its back.
This charming corner chair, probably made of African Blackwood (Dalbergia melanoxylon), was made in 1905 to commemorate the marriage in 1858 of Petrus Jeremias Bezuidenhout (1838 - 1922) and Petronella Dorothea (Vermaak) Bezuidenhout (1838 - 1909). The provenance of the chair is preserved for posterity by an unusual amount of detailed information inlaid into its back, as well as a rare period image of the original owners together with the chair.

THE OLD CORKSCREW


Originally designed by Thomas Stothard for Rundell Bridge & Rundell, there are pieces in the Royal Collection dating from 1812. See pages 127 & 128 of ‘Silver Flatware- English, Irish and Scottish 1660-1980’ by Ian Pickford where this rare Regency pattern is discussed and illustrated. The majority of this pattern are gilded and is still in production today. It is very difficult to find any early pieces of this pattern and complete early dessert services are extremely rare.

for Birmingham 1843, from the Royal Agricultural Society
of England by Robinson, Edkins & Aston
and weighing 2,152 Kg.

for Birmingham 1843, from the Royal Agricultural Society of England
by Robinson, Edkins & Aston and weighing 2,152 Kg.

with presentation inscription dated January 1st 1892.

with presentation inscription dated January 1st 1892.

S.T. & Sons T95 (Currently this is an unknown maker
who produced pieces of exceptional quality)

S.T. & Sons T95 (Currently this is an unknown maker
who produced pieces of exceptional quality)

for London 1826 by Rebecca Emes & Edward Barnard I.

for London 1826 by Rebecca Emes & Edward Barnard I.

in the Japanese taste with the neck in the form of a bamboo stem
with applied leaves by Edward H Stockwell.

in the Japanese taste with the neck in the form of a bamboo stem
with applied leaves by Edward H Stockwell.

made in Sheffield 1807. Provenance:
Christies London, March 26, 1980, lot 69.
Weight: 2,441 Kg.

Nathaniel Smith & Co. made in
Sheffield 1807. Provenance:
Christies London, March 26, 1980,
lot 69.Weight: 2,441 Kg.

made in Sheffield 1807. Provenance:
Christies London, March 26, 1980, lot 69.
Weight: 2,441 Kg.
Engraved with the coat of arms for General William Loftus, Lieutenant Governor of the Tower of London to the front and the back with a presentation inscription: “A small tribute of respect affection and gratitude from Iohn Henry Elrington,Major of the Tower, To his friend and relative General Loftus. The lieutenant Governor of the Tower of London Sep.ͬ 1817.
William Loftus (1752-1831) began his military career as a cornet in the 9th dragoon Guards in 1770. He served in the American War including the Bunker’s Hill conflict, the landing of New York and the attack on Fort Washington. In 1794 he raised and was given the rank of
colonel of the 24th Light Dragoons and two years later he was made major-general and appointed to the English Staff. In 1797 he was appointed to the Irish Staff and took command at Cork where in 1798 he was successful at Vinegar Hill. Subsequently he was appointed Lieutenant-General in the army, governor of Dumbarton Castle and Lieutenant of the Tower of London. In 1813 he was appointed full General and in 1821 the colonelcy of the 2nd Dragoon Guards. On his death in 1831 he was one of the oldest officers in the service.
John Henry Elrington (1771-1857) was a Major at the Tower of London. The Tower Major was a staff officer who resided at the Tower and was tasked with its administration. He married Sarah Reed on the first of October 1806 and this tray made in 1807 could have been commissioned for this. He was laid to rest in the family vault in the Chapel of St. Peter ad Vincula,Tower of London and the family memorial plaques are on the back wall.
Literature:
Christie’s Pictorial History of English and American silver by Michael Clayton page 236 where it is noted “An unusually large piece to have been produced in Sheffield”
JEREMY STEPHENS ANTIQUES

Armchairs model no. 34/402, 1933/35
Produced by O.Y. Huonekalu-ja
Rakennustyotehdas A.B., Finland.
Bent laminated birch plywood and original cane.
Stamped “Aalto Design Made in Finland”.
60,5 x 70,5 x 73 cm. (A rare early & original
edition from the first two years of production)

CH22 lounge chair, design 1950.
Carl Hansen & son, Denmark.
Original painted oak & paper cord.

Model 31 armchair, design 1960.
Slagelse Mobelvaerk, Denmark. Rare
brown-oak frame, reupholstered in leather.
Note : Brown oak results from fungal attack in the
growing tree, causing the heartwood to turn
a rich deep brown. It is rare & highly valued
for furniture.

Easy chair SW 96, designed 1956.
Cabinetmaker Soren Willadsen Mobelfabrik,
Denmark. Oak frame with teak arms and
original woven cane seat & back. New leather
cushions. 73 x 71,5 x 76,5 cm (w x d x h)

Model 53 sofa & lounge chair, 1955.
Rolschau Mobler, Denmark. Teak frame
with original fabric. Reference: Design Museum
Danmark, furniture index, ref. no. RP17545.

PK24 chaise longue, c.1970.
E. Kold Christensen, Denmark. Designed in 1965
with a polished stainless steel frame, cane seat
& leather cushion. 87 x 155 x 67 cm.

Torben Lind (1928-), Denmark Moduline easy
chairs, 1962 France & son, Denmark.
Company coin label. 58 x 72 x 70 cm.
Reupholstered. Reference : Design Museum
Danmark, furniture index RP05015.

Rosewood low sideboard, 1960 Hundevad & Co,
Vamdrup, Denmark. Brazilian rosewood
bookmatched veneer exterior with maple interior
enclosing 4 drawers & 2 shelves. Danish quality
& maker’s mark. 138,5 x 43,5 x 76,5 cm.

Oak tall chest of drawers, 1951.
Soborg mobelfabrik, Denmark.Four shallow
drawers and three deep drawers. Stamped
“Made in Denmark” 100 x 48 x 136 cm.
Reference : Design Museum Danmark,
furniture index, ref. no. RP14084.

Maypole, 2007 Patinated bronze & stainless steel.
Edition no. 2/6. 73 x 43 x 38 cm.

Patinated bronze & stainless steel.
Edition no. 2/6. 73 x 43 x 38 cm.

sculpture, c.1982 Designed for Meier furniture
in Black-forest pine, wool & leather, with plastic
eyes. 30 x 80 x 85(h) cm.

Soffiato glass vase, 1925/26. MVM Cappellin
glassworks, Murano. Amber costolato glass body
with applied green glass lip and iridized surface,
acid stamp. MVM Cappellin Murano.
Height : 25 cm.

Tutti-Frutti glass bowl, 1955/62.
IVR Mazzega/A.VE.M., Murano, Italy.
Red glass with broken silver foil & zanfarico
canes in freeform shape. 50 x 35 x 15 cm.

Nigeria model 4292 bowl, 1957/60.
Upsala-Ekeby pottery, Sweden. Incised
decoration, with impressed company & artist
monogram. Length: 40,5 cm.

Coffee cups & saucers, c.1957.
Studio Albion Mews, London. Stoneware
with white tin glaze and manganese dioxide
on rim.Impressed L.R. monogram.
H : 7,5 cm D : 12,5 cm.

Danaides opalescent glass vase, 1926.
Opalescent glass with relief & intaglio
moulded design, and blue staining.
Stencil signature. Height : 18,5 cm.
(Reference: Marcilhac no. 972).

Danaides opalescent glass vase, 1926.
Opalescent glass with relief & intaglio
moulded design, and blue staining.
Stencil signature. Height : 18,5 cm.
(Reference: Marcilhac no. 972).

Pendulette 8 jours Naiades, c.1920s.
Designed in 1926, this example in clear
& frosted glass. Engraved signature in script
R.Lalique France. 11,3 x 11,3 cm.

Tete Byzantine mirror, c.1900.
Cast metal mirror frame, with bronze finish.
Original mirror available. Signed 44 x 75 cm.
Reference : Art Nouveau Sculpture,
Alastair Duncan, illustrated on page 25.

Head of a Lady, 1920s. Original patinated bronze
with zebrano wood base.Impressed Dakon, Austria
& foundry mark. H: 35 cm.

Art Deco Dancer, c.1925.
Green-patinated bronze on onyx base.
Impressed signature Lorenzl and Vienna foundry
mark. H: 47,5 cm.

Babele Quadrata Murano 1990s.

Manchester Street Scene,
c.1960s Oil on board
Signed bottom right 45 x 15 cm.

(model 86). Lucille Sevin design in opalescent glass.
Produced by Sevres glassworks for Etling.
Moulded “Etling France 86” Height : 23 cm.

Red Snapper Oil on wood
Signed Height (incl. base) : 42 cm.

Guzzini (art 4002/8) Table Lamp,
1968 design for Harvey Guzzini
DH, Italy. White acrylic shade with
chromed steel base.
W : 41 cm H : 64 cm.

Murano 1990s.

Homage to Picasso, 1998.

Patchwork glass vase, Murano, c.1990s.
Black & clear tesserae in alternating patter
with aventurine ribbons. Signed on base. Height: 28 cm.

Manolete 1975/77 Polished bronze puzzle (26 pc).
EdiSon no. 3345/10 000 Artcurial lost-wax casting,
Paris Signed & numbered (with booklet).
12,6 x 7,6 x 6,4 cm.
MOONSTRUCK EXPERIENCE

Japanese lacquered inlayed screen.

on stands adorned with gilded lions heads
- circa 1870-1910.

on stands adorned with gilded lions heads
- circa 1870-1910.


circa 1790.

mirrors will be on display…
EVELYN SBOROS JEWELLERS




TYRONE SARKIS ANTIQUES

round brilliant cut diamonds totalling 3.31cts.

round brilliant cut diamonds totalling 3.31cts.

with 0.95cts of round brilliant cut diamonds.

with 0.95cts of round brilliant cut diamonds.

Robert Garrard II. London, 1856.

diamond, and Ruby earrings.

with a very rare spirit kettle stand
by Lewis Panton I. London, 1735 & 1736.
Weight: 3085 grams.

by Robert Garrard II - silversmith to
the King and Queen. London, 1853,
with 4 crystal decanters.
Weight: 1910 grams.
BANCROFT ANTIQUES


by Nanna and Jorgen Ditze.

and Pearl Choker Necklace.

Diamond Bracelet.

Hinged Bangle Bracelet.

Diamond Ring.
BURR & MUIR

Circa 1900. A monumental overlaid, acid-etched
and carved cameo glass vase, the decoration of
a scene of Lake Como in Switzerland and
Italy, with a view of the mountains beyond
the lake.

Circa 1900. A peacock standing on a
porch balustrade.


A magnificent bronze and ivory dancer wearing
a cat-suit, her hands are crossed and held
together above her head, standing on tiptoe,
with her right foot just ahead of her left.
Her costume is covered in starfish motifs.
Her hands and face are ivory. The brown onyx
base is inlaid with black portoro marble
and green onyx squares across the lower section.

A beautifully stylised bronze figure of a nude female figure, holding a glass bowl
above her head. The black patinated figure stands on a tall stepped verdite base,
her arms crossed above her head to support the internally
decorated orange-edged glass bowl.

and ivory group of a pierrot and pierrette, both wearing cloche caps
and ruffled collars, the female figure with knee-length full-skirted dress
with an ornate belt, the male figure with a decorated loose shirt,
and tights with a diamond-shaped design. They both have ivory hands
and faces. The pierrot appears to be whispering into the pierrette’s ear.
The very complex brown onyx base has diamond-shaped attachments
in multi-coloured onyx. Chiparus designed superb bases for all
his major works.

By Louis Majorelle
(1859-1926), Circa 1900.
PAYS DES RÊVES LIFESTYLE

cabinet in mahogany with madrone burl wood
inlay set with a blue Wedgwood jasperware
insert and ormolu mounts with original castors.
Circa 1850.

cabinet with brass inlay.
Maker: Godefroy Dester. Circa 1805.

silver-gold gilt wine cooler with lid.
London Circa 1811. Wt 3067g
Dimensions - 33cm (h) x 26cm (d)
Maker: Benjamin Smith II and James Smith II
for Rundell Bridge and Rundell (Principal Royal
Goldsmiths & Jewellers).

in 18k yellow gold.

earrings with diamonds.

earrings.

18k tanzanite and diamonds earrings.

The piece is in excellent condition
and beautifully made Designer: Henkel
and Grossé (jewellers for Christian Dior,
Lanvin and Schiaparelli in Paris and did work
for Harrods in London and Sale in
New York) Circa: 1964. Pforzheim,
Germany L 40cm, wt 56g.

travel frame set, clasp set with rubies.

and an Edwardian turquoise, seed pearl and ruby brooch
in the form of a frog set in 14k yellow gold.

by well known and reputable gold and silversmith David Anderson Norway.
Circa 1930-1939 Dimensions - 2”(h) x 2“ (w).